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Ira Gershwin (December 6, 1896 August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs of the 20th century.〔Obituary ''Variety'', August 24, 1983.〕 With George he wrote more than a dozen Broadway shows, featuring songs such as "I Got Rhythm", "Embraceable You", "The Man I Love", and "Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera ''Porgy and Bess''. The success the brothers had with their collaborative works has often overshadowed the creative role that Ira played. However, his mastery of songwriting continued after the early death of George. He wrote additional hit songs with composers Jerome Kern ("Long Ago (and Far Away)"), Kurt Weill and Harold Arlen. His critically acclaimed book ''Lyrics on Several Occasions'' of 1959, an amalgam of autobiography and annotated anthology, is an important source for studying the art of the lyricist in the golden age of American popular song.〔(Ira Gershwin biography ) pbs.org, March 17, 2009〕 == Biography == Gershwin was born Israel Gershowitz in New York City to Morris (Moishe) and Rose Gershovitz who changed the family name to Gershvin well before their children rose to fame (it was not spelled "Gershwin" until later). Shy in his youth, he spent much of his time at home reading, but from grammar school through college he played a prominent part in several school newspapers and magazines. He graduated from Townsend Harris High School in 1914, where he met Yip Harburg, with whom he enjoyed a lifelong friendship, and a love of Gilbert and Sullivan. He attended the City College of New York but dropped out.〔Furia, pp.3–4, 11〕〔(Ira Gershwin biography ) allmusic.com. Retrieved March 17, 2009〕 The childhood home of Ira and George Gershwin was in the center of the Yiddish Theater District, on the second floor at 91 Second Avenue, between East 5th Street and East 6th Street. They frequented the local Yiddish theaters.〔("Reviving, Revisiting Yiddish Culture" ), Mark Swed, ''LA Times'', October 20, 1998〕 While his younger brother began composing and "plugging" in Tin Pan Alley from the age of eighteen, Ira worked as a cashier in his father's Turkish baths.〔Furia, p. 26〕 It was not until 1921 that Ira became involved in the music business. Alex Aarons signed Ira to write the songs for his next show, ''Two Little Girls in Blue'' (written under the pseudonym "Arthur Francis"), ultimately produced by Abraham Erlanger, along with co-composers Vincent Youmans and Paul Lannin. Gershwin's lyrics were well received, and allowed him to successfully enter the show-business world with just one show.〔 Later the same year the Gershwins collaborated for the first time on a score, for ''A Dangerous Maid'', which played in Atlantic City and on tour.〔Pollack, pp. 255–258〕 It was not until 1924 that Ira and George Gershwin teamed up to write the music for their first Broadway hit ''Lady, Be Good''. Once the brothers joined forces, their combined talents became one of the most influential forces in the history of American Musical Theatre. "When the Gershwins teamed up to write songs for ''Lady, Be Good'', the American musical found its native idiom."〔Furia, p. 45〕 Together, they wrote the music for more than twelve shows and four films. Some of their more famous works include "The Man I Love", "Fascinating Rhythm", "Someone to Watch Over Me", "I Got Rhythm" and "They Can't Take That Away from Me".〔 Their partnership continued until George's sudden death from a brain tumor in 1937. Following his brother's death, Ira waited nearly three years before writing again. After this temporary retirement, he teamed up with such accomplished composers as Jerome Kern (''Cover Girl''); Kurt Weill (''Where Do We Go from Here?'' and ''Lady in the Dark''); and Harold Arlen (''Life Begins at 8:40''; ''A Star Is Born'').〔 Over the next fourteen years, Gershwin continued to write the lyrics for many film scores and a few Broadway shows. But the failure of ''Park Avenue'' in 1946, a "smart" show about divorce, co-written with composer Arthur Schwartz, was his farewell to Broadway. As he wrote at the time, "Am reading a couple of stories for possible musicalization (if there is such a word) but I hope I don't like them as I think I deserve a long rest."〔Ira Gershwin quoted by Edward Jablonski in ''Gershwin: A Biography'', New York: Simon & Schuster (1988) ISBN 0-671-69931-8〕 In 1947, he took eleven songs George had written but never used, provided them with new lyrics, and incorporated them into the Betty Grable film ''The Shocking Miss Pilgrim'' and he later wrote comic lyrics for Billy Wilder's movie ''Kiss Me, Stupid'' (although most critics believe his final major work was for the 1954 Judy Garland film ''A Star Is Born'').〔 American singer, pianist and musical historian Michael Feinstein worked for Gershwin in the lyricist's latter years, helping him with his archive. Several lost musical treasures were unearthed during this period, and Feinstein performed some of the material.〔(Feinstein biography ) musicianguide.com. Retrieved March 17, 2009〕 Feinstein's book ''The Gershwins and Me: A Personal History in Twelve Songs'' about working for Ira, and George and Ira's music was published in 2012. According to a 1999 story in Vanity Fair, Ira Gershwin’s love for loud music was as great as his wife’s loathing of it. When Debby Boone—daughter-in-law of his neighbor Rosemary Clooney—returned from Japan with one of the first Sony Walkmans (utilizing cassette tape), Clooney gave it to Michael Feinstein to give to Ira, "so he could crank it in his ears, you know. And he said, ‘This is absolutely wonderful!’ And he called his broker and bought Sony stock!" 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Ira Gershwin」の詳細全文を読む スポンサード リンク
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